Gondwana University

CUET Performing Arts Syllabus 2023: Download The Free Syllabus PDF Here!

CUET Performing Arts Syllabus 2023

With the introduction of the Common University Entrance Test (CUET) coming up in 2023, prospective students all over the country are interested in learning more about the syllabus and exam structure. For those aspiring to pursue a degree in performing arts, understanding the CUET syllabus can help you prepare better for the test and give you an edge when it comes to admissions. In this blog post, we will be discussing the CUET Performing Arts Syllabus 2023 in detail – from topics covered to tips and tricks for cracking the exam. So if you’re looking to get into a performing arts university this year, read on for all your preparation needs!

CUET Performing Arts Syllabus 2023

The CUET Performing Arts Syllabus 2023 covers a wide range of topics, from music theory to performance. Candidates who appear in the exam will need to download the CUET Performing Arts Syllabus PDF from the official website in order to be prepared for the exam. The CUET Performing Arts Syllabus PDF in English is available Here, and it covers everything that candidates need to know in order to pass the exam. Below the Table, you can see the CUET Performing Arts Syllabus UG:

CUET Performing Arts Syllabus 2023

Sections

Topics

Section A- Vocal & Instrumental Melodic Hindustani & Karnatak

Music.

UNIT I- Definition of the following:

Sangeet, Nad, Shruti, Swara- Shuddha, Komal, Teevra, Pitch-Intensity – Timbre, GramMurcchana, Varna, Alankar, Raga, Alap Tana, Gamak, Meend, Kan.


UNIT II- Basic knowledge of the following concepts:

Vadi, Samvadi, Anuvadi, Vivadi, Uttarang, Puravang, Aroh, Avroh, Pakad, Thata(Mela) JatiAudav, Shadav, Sampurna and its varieties.


UNIT III- Laya & Tala

Laya – Vilambit, Madhya, Drut

Layakari- Dagun, Tigun, Chaugun, Chegun, Tala, Matra, Tali, Khali, Sam, Vibhag, Avartan, Knowledge of prominent Talas:

Teental,Ektala, Dadra, Keharwa, Jhaptala, Rupak, Adi, Saptala, Chaputala, Rupakam.


UNIT IV- Knowledge of Musical Forms

Prabandh, Drupad, Khayal, Thumri, Tarana, Maseet Khani-Razakhani Gat, Kriti, Pallavi, Padam, Tillana


UNIT V- Contribution of musicians & composers:

V.N Bhatkhande, Omkar Nath thakur, Allaudin Khan, Mushtaq Ali Khan, Tyagraja, Purandardas, Ravindra Nath tagore, Kazi narrul Islam.


UNIT VI- Musical Instruments & its Classification: 

string (Tatta)- Sitar, Tanpura, Saraswati Veena, Sarod, sarangi Violon percussion (Avnadha) Tabla, Pakhawaj, Mrindangam, Khatam, Khanjira, Dholak Wind (Sushir) – Flute, Shehnai, Nagaswaram, Harmonium

Metallic (Ghan)- Chimta, Cymbal, Ghungaroo, Khadtala, Chipla, Morchung


UNIT-VII- Knowledge of Salient features of the following ragas: –

1. Yaman/Kalyani, 2. Bhairav/ Mayamalavgaula, 3. Alhaiya Bilwal/Shankra bharnam, 4. Malkaun/Hindolam, 5. Bageshree/Shri Ranjani, 6. Bhupali/Mohnam

Section B-Dance

UNIT I – Brief knowledge of classical dances of India.

(Kathak, Bharatnatyam, Manipuri, Kathakali, Odissi, Kuchipudi, Mohiniattam, Sattriya)

  • History
  • Dance repertoire
  • Music, both vocal and instrumental
  • Costume and makeup

UNIT II- Life sketches of chief exponents and contributors of different dance forms, past and present.


UNIT III- Knowledge of the following terms:

  • Sangeet, Natan Bheda ( Natya, Nritta, Nritya)
  • Tandav, Lasya
  • Lokdharmi, Natyadharmi

UNIT IV- Basic knowledge of the following: –

  • Texts: Abhinaya Darpan, Natya Shastra, Abhinaya Chandrika, Hasta Lakshana Deepika.
  • Major folk dances of India.

UNIT V- Basic knowledge of Abhinaya and Rasa theory.

  • Aangika, Vachika, Aaharya, Satwika
  • Nav rasa and sthayi bhaav.
  • Bhaav, Vibhaav, Anubhaav, Sanchari.

UNIT VI- Survey of classical dance practice:

  • Elementary information and knowledge of premier classical dance gharanas/ organisations/ institutions/ University-departments.
  • Major dance festivals.

Section C- Percussion Music Hindustani & Karnatak

UNIT I- Basic knowledge of the structure of Tabla, Pakhawaj & Mridangam.


UNIT II- Varnas of Tabla, Pakhawaj and Mridangam.


UNIT III- Knowledge of the following terms:

a) Tala, Matra,Tali, Khali, Vibhag, Tihai, Sam

b) Theka, Kayada,Rela, Tukda, Paran, Peshkar, Uthan, Chakradar & Farmaishi chakradar.

c) Sarvlaghu,Gati, Koraipu,Korvai,Pharan,Mohra, Chapu, Muktayipu

d) Study of Laya,Laykari & Jati


UNIT IV- Elementary knowledge of Bhatkhande Tala Notation system & Karnatak Tala Notation System.


UNIT V- a) Brief study of origin of Tabla,Pakhawaj and Mridangam.

 b) Brief study of Gharana of Tabla and Pakhawaj


UNIT VI- Knowledge of prescribes Talas:

a) Teentala, Jhaptala,Ektala, Rupak, Keharwa & Dadra

b) Chautala, Sooltala,Khemtas, Dhamar

c) Dhurva,Mathya Rupak,Jhampa,Triput,Ata,Eka.


UNIT VII Biographies: –

a) Pt.Kishan Mharaj, Ustad Zakir Hussain.

b) Raja Chatrapati Singh,Guru Purushotam Das.

c) Palani Subramanya Pillai, Palghat Mani Iyer.

Section D- Drama/Theatre

UNIT I- Introduction to Indian Classical and Traditional Theatre

  • Leading Sanskrit Playwrights
  • Bhasa, Kalidasa, Sudraka, Bhavabhuti [ The student can identify and study one text (one play) of the Playwrights mentioned above]
  • Major Traditional Theatre forms

UNIT II- Modern/ Contemporary Indian Theatre

  • I. Survey of major modern and contemporary styles and works in Hindi/ Engli
  • Rabindranath Tagore, Bhartendu Harishchandra,Vijay Tendulkar, Mohan Rakesh, Dharamveer Bharti, Badal sarcar, Shankar Shesh, Girish Karnad, Chandrasekhar Kambar, Madhu Rye. [The student can identify and study one text (one play) of the abovementioned playwrights]
  • Partitioners of modern Indian Theatre Shambhu Mitra, B.V.Karanth, Habib Tanvir,K.N.Panikkar,Ratan Thiyam, Utapal Dutt, Rajender Nath, Jabbar Patel, Vijya Mehta, Satyadev Dubey, E.Alkazi, Pravin Joshi.

UNIT III- Introduction to western classical and Medieval Drama

  • leading Greek Playwrights
  • Aeschylus, Sophocles, Euripedese [The student can identify and study one text (one play) of the abovementioned playwrights]
  • Shakesperean Dramas [The student can identify and study one text (one play) of Shakespeare]

UNIT IV- Modern/Contemporary Western Theatre

  • Survey of major contemporary styles and works in English or English Translation
  • Chekov, Ibsen, Strindberg, Shaw,O’Neil, Miller, Ionesco, Beckett, Pinter Stoppard, Pirandello [The student can identify and study one text (one play) of the playwrights abovementioned]
  • Practitioners of Modern Western Drama: a. Stanislavsky, Lee Strasberg, Bertolt Brecht, Meyerhold, Peter Brook, b. Marlin Brando, Lawrence Olivier, John Grilgood

UNIT V- Theatre Production/Architecture/ Design

  • Types of Theatres: Proscenium, Arena, Theatre in Round, Thrust.
  • Elements of play production: Set, Light, Costume, Make up, Sound- Music.

UNIT VI 

  • Review of Indian Theatre Organizations-NSD University Theatre Departments, Sangeet Natakacademy, Zonal Cultural Centres.
  • Developing and Documenting the Research project – Examples of research projects in different aspects of theatre; using media and sources for the project.

CUET Performing Arts Books – Expert Recommended List

There are many great books out there that can help you prepare for the Common University Entrance Test (CUET) Performing Arts Syllabus. However, not all of them are created equal. This is why we have compiled a list of expert-recommended books to help you get the most out of your studying.

BookAuthor
The Art of ActingStella Adler
Impro for Storytellers” Keith Johnstone

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CUET Performing Arts Preparation Tips: Headingwise

Here are some tips on how to best prepare for the Performing Arts section of the CUET:

Understand the structure of the section: The Performing Arts section of the CUET will consist of 30 multiple choice questions. These questions will be split up into 3 groups of 10 questions each. The first group will focus on Music Theory, the second group will focus on Sight-Reading, and the third group will focus on Aural Skills.

Study each topic heading: Make sure that you study and understand each of the three topic headings mentioned above. For Music Theory, you should brush up on your knowledge of key signatures, time signatures, note values, accidentals, and so on. For Sight-Reading, you should practise.

CUET Performing Arts Syllabus 2023: 5 FAQs

What is full form of CUET?

The full form of CUET stands for Common University Entrance Test. It is an entrance examination conducted by the Central Universities for admission to their undergraduate programmes.

What is the syllabus for the Common University Entrance Test (CUET) Performing Arts?

The syllabus for the Common University Entrance Test (CUET) Performing Arts covers a broad range of topics related to performing arts. It includes questions on Vocal & Instrumental Melodic Hindustani & Karnatak Music, Dance, Percussion Music Hindustani & Karnatak, Drama/Theatre.

How can I prepare for the CUET Performing Arts test?

To prepare for CUET, students must first familiarize themselves with the syllabus and pattern of the examination. They can refer to previous year’s question papers to get an idea of the type of questions asked in the exam.

What are the benefits of taking the CUET Performing Arts test?

The CUET Performing Arts test is an excellent way for students to demonstrate their knowledge and skills in the performing arts. Furthermore, it can also help them stand out from other applicants when applying to university programs.

How to download the CUET Performing Arts Syllabus 2023?

The CUET Performing Arts Syllabus 2023 can be downloaded from the official website of the CUET. Candidates must go through the syllabus carefully and start preparing accordingly for the exam.